Every design tells a story that extends beyond its practical use. When we look closely at a work’s materials, its production process, the context it was born in and the contexts it ends up in, we soon realise the degree to which a design is a “text” we can read. Over time, the discursive component of design has undergone changes. Designers’ attention has begun to shift from the object’s serviceable, functional character toward expressing a concept or making a statement. Designers are exploring the boundaries between design and other fields. Are they losing the balance or opening new vistas that enrich the discipline? In this debate,

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